The confessional before you is ornate and well maintained, ebony colored wood embellished with the visage of two angels. A jet black curtain separates the confessional from the rest of the Church, offering a surprising degree of privacy to any eavesdroppers nearby. Unlike the rest of Krakow, the inside is dimly lit by a small light bulb securely attached to the ceiling which emits a faint red light. While the atmosphere isn't exactly cozy, it is private.
A smooth voice calls out to you once you've sat down, familiar enough to identify the speaker despite the partition between you.
"Welcome welcome. I take it something is on your mind?"We're in a museum now, Harry.
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You're not here to steal my branch, are you? [ It's light and playful, a stark contrast to how he looked when Erik first spotted him. ]
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Could you blame me if I was? You've gone and found yourself a pretty sweet spot up there! [ Speaking of up, how high is this branch? ]
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If you can manage to get up here, be my guest. [ Waving his hand in welcome. For the record this branch is pretty damn slim and it's some testament to his balance/general ridiculousness that he looks so comfortable up here. ]
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[ He gives Rembrandt a grin before grabbing the window frame and thrusting his legs outside the sill. He sits, takes off his shoes, and then a Lux sword appears near his feet! He steps onto it and near immediately forms another sword in front of him.
It's a real balancing act (half literally as he has to balance on the "handle" to avoid the blade) to be quick but also cautious as he swaps the two swords around and makes his way to Rembrandt. When he gets to the branch, he wipes his forehead and lets out a loud "phew!" Then smugly grins down at Rembrandt. ]
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Unfortunately I'm incapable of shedding tears. But well done, you would be a good fit for a circus, like I expected.
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I can't tell if you're planning to run away with me and start a circus or if you're trying to insult me. Come on, can you really imagine me hopping up and down on a stage, trying to steal everybody's attention?
That's the exact opposite of what a thief's supposed to do!
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You know very well if I was trying to do either. [ Tipping his head to the side to grin wryly. ]
Ah, just like a thief is supposed to ask before they take something?
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What, never read that part of the thieves code of honor? It's in the bylaws, you know. Don't steal from other thieves, don't steal from friends, and if you can't avoid either—ask first.
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"Friend"...?
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Need me to define that one for you, too?
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Of course not. It's not a word I hear too often in regards to myself, twice is far too much.
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Also, he doesn't want to fall 'cause he's 85% sure Rembrandt won't catch him. ]
That few, huh? That explains... [ A beat. A very conspicuous beat. ] ...a lot.
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Well, go on. [ The branch is going to move a bit more as he shifts to prop his head in his hands. There's no anger in his expression, but he does look a shade exasperated. ]
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He glances warily between the branch and the ground. A shake of his head before looking back up. ]
Go on about what?
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What does it explain?
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Rembrandt's... well, Rembrandt's not any of that. So, naturally, he's now married to the idea of Rembrandt trying to break the branch on purpose. Funny how a strong commitment can change your whole world view and just make you sigh, huh? ]
I'm tempted to take my chances with jumping, but... I did start this. Okay, I was talking about the greenhouse.
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Oh?
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beautifulbeautiful Luminary. Except he's not actually going to die so whatever. ]"Oh" he says. [ A somewhat weary smile. ] Let's do this another way. Say you walk into a dark, secluded garden to meet your buddy. Just as you're looking around, you hear a voice whispering "follow the roses" into your ear.
What's your first thought?
1/2 i blame you for this
He laughs. ]
Goodness, is that what you were thinking? Trust me, you would know if I was coming onto you. [ Leaning forward (or sideways in this case), he grabs a hold of whatever fabric he can reach to pull Erik closer. Museums are good for drawing out his red eyes, now laced with a smooth velvet tone. ]
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But that's not the case!
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Huh?! [ Eloquently put! He's doing his best impression of a deer-in-headlights! His hands flounder for a second before he grabs Rembrandt with one hand—half for balance, half to push him back—and the branch with the other. ]
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Sheesh! Careful with the branch! [ Give him another second to steady himself. ] Anyway, I did get the memo. Eventually. Didn't stop me from being terrified for a full minute that you'd turn around and hand me a rose, though.
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Actually... yeah. [ Quite sincerely! What he doesn't add is: yes, if only to throw someone off balance. ]
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