The confessional before you is ornate and well maintained, ebony colored wood embellished with the visage of two angels. A jet black curtain separates the confessional from the rest of the Church, offering a surprising degree of privacy to any eavesdroppers nearby. Unlike the rest of Krakow, the inside is dimly lit by a small light bulb securely attached to the ceiling which emits a faint red light. While the atmosphere isn't exactly cozy, it is private.
A smooth voice calls out to you once you've sat down, familiar enough to identify the speaker despite the partition between you.
"Welcome welcome. I take it something is on your mind?"We're in a museum now, Harry.
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[ Not personally. Obviously he knows they're a thing; that's why he hates Cumore. ]
So was it money?
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[ He's got some theories at this point. ]
Compensation aside, I do still want to know what kind of work you were doing. You can ask me some questions in exchange, you know; I don't mind talking about myself.
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But fine. ]
About what you'd expect, probably. We compare notes on any newly accessible areas and anything interesting that we came across while exploring, and theorize about the Lady's plans. And to a lesser extent, your role in them.
There's some discussion about the motives sometimes, since they're usually scheduled for the same day or the day after -- individual reactions to them and debate about how plausible they really are.
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[ Yeah, he knows that wasn't really the question. ]
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Only the opera house was my doing, for all other electric related grievances you'll have to address the Lady.
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Is that your subtle way of telling me it's time to go?
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[ Should have asked him about himself instead, he would have given you more interesting answers instead of vaguely redirecting!! ]
One more thing before that -- what happened with Yuzuru yesterday. What brought that on?
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Eavesdropping is terrible, yes?
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[ Probably a good thing to know since he actually loves eavesdropping.
Well. ]
Next time, then.